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近些年,中国花鸟画处在一个较好的发展势头。爱好此道的人在增多,创作队伍在壮大,创作活动也十分活跃,涌现出不少新人新作。可喜的是,已有不少画家进行了一些新的探索。例如:一、艺术意境有新的开拓,许多作品一反过去旧文人画消沉、没落、颓废、晦涩的情调,创造了一种清新、祥和、舒展、明朗的艺术境界,使艺术的审美取向更贴近时代、贴近人民。二、画面样式突破了传统习用的条幅、中堂、条屏、横披、扇面等旧形式的局限,常常采用西方风行的黄金分割律和大方形的样式,这种样式构成增强了丰满、充实、稳定、厚
In recent years, China’s flower and bird painting is in a good momentum of development. The number of people who love this road is increasing, the creative team is growing, the creative activities are also very active, and many new works have emerged. The good news is that many painters have made some new explorations. For example: First, there is a new exploration of the artistic conception. Many works, in contrast to the depressed, decadent, obscure sentiments of the old literati paintings, have created a fresh, peaceful, stretchy and clear artistic realm that makes the artistic aesthetic orientation more Close to the times, close to the people. Second, the picture style has broken through the limitations of the traditional forms such as the banner, the hall, the bar screen, the horizontal drapery, the fan and other old forms, often adopting the golden rule of the western division and the large square style, which forms the fullness, enrichment, Stable, thick