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据考古发现及史料记载,早在远古至春秋战国时期,在古巴蜀大地已有乐舞存世。至先秦,巴文化区即已有较为发达的乐舞,人民能歌善舞。至汉初,巴方乐舞被引入宫廷,编入乐府。其后数百年间几经演变,演出形式得到极大丰富,被纳入不同舞类,如歌舞戏及民俗乐舞等乐舞形态。期间,包括秦灭巴、蜀以后,巴蜀地区的乐舞文化并没有随着国家的灭亡而消失,而是以另外一种融通的形式承继下来,一直延续至今。综合而言,从社会功能流变的角度而言,巴国乐舞的发展呈现出一条从宫廷走向民间的融合发展的轨迹。
According to archaeological discoveries and historical records, as early as the ancient Spring and Autumn and the Warring States period, the earth in the Cuban Shu has been music and survival. To the pre-Qin, Pakistan Culture Zone that has more developed music and dance, the people can sing and dance. To the early Han Dynasty, Pakistani party dance was introduced into the court, incorporated into the music house. After several centuries of evolution, the form of performance has been greatly enriched, was included in different types of dance, such as dance and folk music and dance music and dance forms. During the period, including Qinmuba and Shu, the music and dance culture in Bashu area did not disappear with the demise of the country, but inherited in another form of integration and has continued to this day. On the whole, from the perspective of social function change, the development of music and dance in Pakistan shows a path of integration development from court to nongovernmental.