论文部分内容阅读
经典名著向来都是膜拜或颠覆的对象,这一点在好莱坞导演鲁霍曼电影版《罗密欧与朱丽叶》得到完美印证。受二十世纪六十年代西方国家盛行的后现代主义思潮的影响,鲁霍曼大胆地对传统文化和精神价值取向进行批评和解构,完全颠覆了大众对莎翁旧著的概念。文章从解构主义、时空错位和时代写照三个方面分析电影素材,探析电影中的后现代主义意识,以及其涵盖的社会意义。
Classic classics have long been the object of worship or subversion, as evidenced by the Hollywood filming of the film, Romeo and Juliet. Influenced by the postmodernist ideological trend prevailing in the western countries in the 1960s, Luhoffman boldly criticized and deconstructed traditional cultural and spiritual values and completely overturned the concept of the old Shakespeare. The article analyzes film material from the three aspects of deconstruction, time and space dislocation and portrayal of the times, and analyzes the postmodernist consciousness in the film and the social meaning it covers.