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以埃菲尔铁塔造成的美学颠覆现象为引,探讨了建筑与科学、艺术三者之间的关系问题。科学与艺术是推动建筑发展的两个磁极,技术与哲学则从两个不同维度对前两者进行了搭接,并具体作用于建筑这一载体上,最终实现了一种此消彼长、共生共荣的螺旋上升式的演进态势。埃菲尔铁塔是一个处于“临界状态”的特殊的建筑载体,通过对其多角度深入解读,充分印证了上述的分析结论。
Taking the phenomenon of aesthetic subversion caused by the Eiffel Tower as an example, this paper discusses the relationship between architecture, science and art. Science and art are the two poles that promote the development of architecture. Technology and philosophy overlap the former two from two different dimensions and act on the carrier of architecture. Finally, Coexistence and common prosperity spiral upward trend. The Eiffel Tower is a special architectural carrier in a “critical state”. The multi-angle interpretation of the Eiffel Tower fully confirms the above conclusion.