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笔格最早流行的是一种栏杆式竖形样式,南宋以后,渐渐以横峰起伏式造型为主,成为了一种定式(又称笔山),无论陶瓷、玉、牙铜、铁、木、水晶、料器、玛瑙等各种质地制作通行无碍。这不能不说是受到砚山造型的影响。砚山在我国赏石历史上具有承前启后的重要地位,它是奇石由园林而进入斋居乃至案几的主要载体和初始形式,也是将奇石引入文房器玩之列的重要—环。据载,它是五代十国时期南唐李后主创制的,取其自然平底、峰峦起伏而又有天然砚池的天然奇石,作为砚台的别裁,一般大不盈
After the Southern Song Dynasty, Hengfeng gradually became the main form of an ups and downs, became a fixed style (also known as Penshan), regardless of ceramics, jade, copper, iron, wood, Crystal, materials, agate and other texture making passage without trouble. This can not but be influenced by Yanshan style. Yanshan has an important position in the history of the Chinese stone appreciation. It is the main carrier and the initial form of the stone entering the dwelling or even the case from the garden. It is also an important link in introducing the stone into the opener. According to contained, it is created during the Five Dynasties and the Ten Kingdoms period of South Tang Li Houzhu, taking its natural flat, undulating but natural Yanchi natural stone, as the inkstone do not cut, the general big no gain