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早在二十年前,中国现代文学研究的前辈学者樊骏先生,就在他那篇著名的长文《我们的学科:已经不再年轻,正在走向成熟》一文中,表达出整合“雅”“俗”、融合“新”“旧”的多元文学史观,并认为这才是中国现代文学研究走向成熟的重要标志之一。从文艺理论资源来说,他是在与其他艺术门类的横向比较中,逐步形成了他创新、开放的现代文学史观的:“……美术界没有将同属传统形式的
As early as two decades ago, Mr. Fan Jun, a senior scholar in the study of Chinese modern literature, expressed in his article ”Our Discipline: No longer Young, Being Mature“ in his famous long article ” “” “Vulgar ”, “new ” “old ” view of multi-literary history, and that this is one of the important signs of maturity of Chinese modern literature research. From the literary theory resources, he is in the horizontal comparison with other art categories, and gradually formed his innovative, open modern literary history view: "... ... the art world does not belong to the same traditional form