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草书在诸体书中是最具智性的书写艺术。艺术家将自己对天地万物的理解、阐释、想象、情感,借助富有生命意向的线条倾诉着内心。而这充满生命意向的线条,在时间的自然延续中,形成了一种空间结构转合承接关系。那么在汉字这种转合承接法则的运用中,书法家心理的智性和生理的自然状态就无法遮掩地呈现在宣纸上,体势之间的映带俯仰、向背、呼应、血脉牵连却承载流动着不同的生命轨迹,在整体的空间结构中显示着一个书法家
Cursive scripture is the most intellectual art of writing. The artist confides himself to the understanding, interpretation, imagination and emotion of all things in the world with the help of life-oriented lines. And this line full of life intentions, in the natural continuation of time, formed a kind of transformation of the spatial structure to undertake the relationship. So in the use of Chinese characters to undertake the transformation of the law, the calligrapher mentality and the physiological state of nature can not be hidden in the rice paper presented on the mapping between the body potential pitch, to the back, echoes, blood vessels but bearing Flowing with different trajectories of life, a calligrapher appears in the overall spatial structure