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文学理论家中间有一种说法:一个作家都有个储存仓库,那里面最精彩的东西往往是少年时期的记忆。我想想当代的同行中,确实有一些这样的情况。为什么?少年时期最纯真?最敏感?最烂漫?刚刚踏上人生旅途,如行“山阴道上,应接不暇”?到了成熟以后,经历艰难。比不得不谙世事时候光彩如金子?或者原先也不一定就金子那样,时间的严峻磨洗,才生发了金子的光彩?因此记忆,有可能“价值倒挂”?这么一大把理由,好像都是对的。哪一个最对?不知道。我少年时恰好卷入战争生活,不免留下些困苦又惊险的记忆。但,在记忆中都变得美好了。有一种纯净的朝气,把一些——也许是一大些阴暗或者阴影,成了俗话中说的“灯台下暗”。只见光芒四
The literary theorists have a saying in the middle: a writer has a storage warehouse, where the most exciting things are often memories of childhood. I think of contemporary colleagues, there are some such situations. Why? The most innocent youth? The most sensitive? The worst? Have just embarked on a journey of life, such as “mountain vagina, overwhelmed,”? To maturity, experience difficulties. Than the glorious time of worldliness, such as gold? Or the original is not necessarily the same as gold, the time of severe grinding, just gave birth to a gold glorious? Therefore, memory, there may be “value upside down” so a lot of reasons, It seems all right. Which one is the best? Do not know. When I was a boy, I was caught up in the war life, inevitably leaving some memories of suffering and thrilling. However, in the memory have become better. There is a pure vitality, some - perhaps a lot of dark or shadow, became the saying goes “under the candlestick”. I saw light four