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一个偶然的机遇,1995年的岁末,中央工艺美术学院染织服装系的副主任田青,接受了我们的采访,我们终于获得了与她畅谈、打开许多心结的机会.“衣着剪裁并不华丽,像那种‘高雅的平凡’,但面料都是自然的,颇实在;头发、罩衣加上谈笑倒自成一种返璞归真的态度.”这是田青进入视线时带来的感觉,不由地,我们想到了“家织布”、“古锦”.在她的质朴之下,我们顺畅自然地进入染织文化的传统与创新、理论与实践的谈话.“我们注意到近几年的染织专业的设计中,传统题材比较多见,创作手法上也以民间工艺为重.参照世界流行讯息,你们还较好地把握了中国流行色,我们想请您谈谈有关传统的继承与发扬民族特色的思索.”
By chance, at the end of 1995, Tian Qing, deputy director of the department of dyeing and garments at the Central Academy of Arts and Crafts, accepted our interview and we finally got the opportunity to talk with her and open many hearts. Not gorgeous, like that kind of ’elegant ordinary’, but the fabric is natural, quite real; hair, coveralls add laughter into a back to nature attitude. “This is Tian Qing into the line of sight brought the feeling We could not help but think of ”home weaving cloth“ and ”ancient brocade.“ Under her simplicity, we smoothly and smoothly entered the tradition of dyeing and weaving culture, as well as the conversation between theory and practice. ”We noticed that recently Years of dyeing and weaving professional design, the traditional themes are more common, creative techniques are also based on folk crafts. With reference to the world’s popular message, you also better grasp the Chinese fashion color, we would like to ask you to talk about the traditional Inherit and carry forward the thinking of national characteristics. "