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河野多惠子为战后日本文学界颇具代表性的一位女性作家,其文学作品在日本国内拥有众多的读者。然而由于其文学主题的特殊性,在我国文学评论界极少能看到对于该作家文学作品的分析与解读。本文尝试通过对其初期作品——《搜罗幼儿》的文本分析,讨论河野多惠子文学世界的独特视角,并进一步挖掘这种表现手法与女性觉醒意识的关联性,以期许国内读者能够加强对该作家的了解和关注,进而藉由对该作品的讨论促进我国读者对日本社会文化的深层思考。
Kawakita Kawaki for the post-war Japanese literary world representative female writer, his literary works in Japan has a large number of readers. However, due to the particularity of its literary theme, it is seldom seen in Chinese literary critics for the analysis and interpretation of the writer’s literary works. This essay attempts to discuss the unique perspective of Kawabata’s Kawakita literary world by analyzing the text of his initial work, “Collecting Young Children”, and further explore the relevance between this expression and the awareness of female awakening in order to encourage domestic readers to strengthen their understanding of the writer Understanding and concern, and then by the discussion of the work to promote our readers to Japanese society and culture in-depth thinking.