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在中国古代文人画美学传统中,从宋代开始就重感情,重个性,强调个人意趣之自由抒发;元代追求心手相忘,纵意所如;这种重主观抒发,张扬个性的审美倾向到了明清发展到了极致,出现了唯情,唯个性是尊,以内容压倒形式,以感情压倒理智的审美信息,浪漫主义美学精神在明清文人画中的体现可谓痛快淋漓,不遮不掩。
In the tradition of Chinese aesthetics of literati painting, since the Song Dynasty, we began to express the feelings of affection, individuality and personal interest; the pursuit of mutual respect and indulgence in the Yuan Dynasty; the aesthetic tendency of expressing and expressing individuality Ming and Qing Dynasties developed to the extreme, there has been the sentiment, the oneness is the respect, the content overwhelmed the form, the overwhelming sensibility of the aesthetic information, the aesthetic spirit of romanticism in Ming and Qing scholarly paintings can be described as enjoyable, unswervingly.