论文部分内容阅读
一似水流年中飘逝的风景,是看完中央戏剧学院版的《樱桃园》获得的总体演出印象。舞台的主体形象,是垂吊的白色绸布上幻灯打丁上去契诃夫肖像,隔着夹鼻眼镜镜片,他忧郁地、远远地凝望着每一个入场的观众。而观众与之对望时,所感受到的舞台景象也格外新鲜和奇特:随着剧场人群活动、通风设备带动的气流,白绸上的契诃夫连同他身后的景物、时代,在微微飘动,那种微妙的飘忽感,与契诃夫的神采相配合,
A time-honored landscape in the middle of nowhere is the impression of the overall performance obtained by the Central Academy of Drama version Cherry Orchard. The main stage of the stage is the portrait of Chekhov slides on a hanging white silk cloth, and ponders over each of the spectators in a distant, gloomy way. When the audience looked up, the stage scene felt was especially fresh and peculiar: with the theater crowd activities, ventilation-driven airflow, Chekhov on white silk together with the scene behind him, the era, in a slight fluttering, That subtle sense of erratic, with Chekhov’s look,