嘉庆皇朝——宫廷艺术的黄金分割点

• 作 者: 裴朝辉
• 出 处: 艺术市场
• 发表日期: 2007年09期
• 关键词: 宫廷艺术 乾隆 太上皇帝 嘉庆朝 黄金分割点 乾隆皇帝 清嘉庆 雕漆 御窑厂 瓷器

嘉庆(1796-1820),名琰,乾隆皇帝第十五子,生于乾隆二十五年(1760年),嘉庆元年(1796年)正月初一受乾隆禅让而继位。与其他皇帝不同的是,嘉庆继位后并不能独断朝纲,当了太上皇帝的乾隆仍掌握着最高决策权。这种特殊经历,使得嘉庆很难摆脱乾隆时期形成的定式。乾隆时期的一切似乎都以其惯性在嘉庆朝向前滚动,这种惯性在嘉庆一朝的艺术品中有着不折不扣的表现。颙

Jiaqing (1796-1820), Yan Ming, the eighteenth son of Emperor Qianlong, was born in Qianlong twenty-five years (1760), the first year of Jiaqing (1796) the first day of the first month by Qianlong Zen let go. The difference with other emperors is that after Jiaqing succeeded to the throne and can not be arbitrarily toward Gang Gang, when the Emperor Qianlong is still too hold the highest decision-making power. This special experience makes Jiaqing difficult to get rid of the formula formed during the Qianlong period. Everything in Qianlong’s time seemed to be rolling in front of Jiaqing with its inertia. This kind of inertia has an uncompromising performance in the works of Jiaqing.颙