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电视之于所有人,已不仅仅是一个随时喷射信息垃圾的媒体了,它也成了我们生活疼痛的一个部分。中国人的生活自觉不自觉地受电视影响,应该是从20世纪70年代末、80年初,电视大规模进入千家万户开始的。这之前,电视对于全国人民最具普泛意义的显现,在我整个对70年代的记忆里只有两次:一是1976年9月对毛泽东去世的报道;一是70年代末,《追捕》、《望乡》、《狐狸的故事》三部日本新片,以与影院同步的速度登陆诸多百姓人家的9英寸荧屏。表面上看,这两件分属于新闻和娱乐领域的事件并无联系。但实质上,可以说正是它们,在辽阔的中
Television is for all people, not just a media that spurts informational waste anytime, but it also becomes a part of the pain of our lives. Chinese people’s lives are consciously and unconsciously influenced by television. It should have started with the mass-scale entry of television into every household since the late 1970s and early 1980s. Before that, the most widespread manifestation of television for the people of the whole country was only twice in my memory of the 1970s as follows: First, the report of Mao Zedong’s death in September 1976; first, in the late 1970s, “hunt” “Hometown”, “Fox’s Story” three new Japanese films, and cinemas at the speed of landing many people 9-inch screen. On the face of it, there is no connection between these two items pertaining to the field of news and entertainment. But in essence, it can be said that they are in the vast middle