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夜幕降临,姐姐伍拉和弟弟亚历山大,又手拉手来到火车站,从雅典开往德国的火车缓缓启动,这个景象姐弟俩已经见过很多次了,不过这回,他们终于鼓起勇气跳上了车,他们要去德国找从未谋面的父亲。这是安哲罗普洛斯的电影《雾中风景》的开头,有着《杜依诺哀歌》的气氛,注定了这两个年幼的私生子将在成人世界付出童年和梦想,虽然最后,导演很仁慈地让这个无限凄迷的公路电影有了一个童话的结尾:两个孩子渡过边界,奔赴创世纪中的第一棵树,他们幻想中的“父亲国度”。这个结尾是安哲罗普洛斯特别为他的七岁女儿创作的,他对他的孩子
Night fell, sister Woola and his younger brother Alexander, and hand in hand to the train station, from Athens to Germany slowly start the train, the sisters and sisters have seen many times, but this time, they finally courage Hop on the car, they have to go to Germany to find the father never met. This is the beginning of Angelopoulos’s movie “Foggy Landscape,” with the atmosphere of “Elegy of Duyenori,” destined to give both young illegitimate children childhood and dreams in the adult world, though in the end the director Kindly gives this infinitely miserable road movie the end of a fairy tale: two children crossing the border and going to the first tree in Genesis, their fantasy “Fatherland.” This is the end of Angelo ProLogis specifically for his seven-year-old daughter creation, he told his children