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第三首练习曲(Op.2,No.3),c小调,单纯的行板(Andante Semplice)随着时代的发展,练习曲逐步从单一的技术训练功能演变为富有艺术内涵的音乐会作品(音乐会练习曲),作曲家们用更多样的技术手段来不断丰富它的音乐思想,使练习曲越来越多地像乐曲一样登上音乐会殿堂。普罗科菲耶夫对练习曲有着自己的想法,它既不像德彪西12首《练习曲》那样以音程关系为线索连贯下来,并且每一首都有明确的训练目的;又不像肖邦24首《练习曲》那样,拓展出手指技术丰富的可能性。普罗科菲耶夫的四首练习曲形态各异,彼此之间没有任何关联,
Third Etude (Op.2, No.3), C minor, Andante Semplice With the development of the times, the euphoria has gradually evolved from a single technical training function to a richly artistic concert work (Concert Etudes), composers use more varied techniques to constantly enrich their musical ideas, making the Etude more and more onboard as a musical piece. Prokofiev has his own idea of the Etudes, which is not clues as to the relationship between musical intervals as in Debussy’s 12 Etudes, and each has a clear purpose of training; unlike Chopin 24 The first “Etude” as that, expands the possibility of rich finger technology. Prokofiev’s four practice songs vary in form and are not related to each other,