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每个人都经历过某个令人同情的夜晚,象弗莱德·麦克默雷在影片《明天永在》的开头那样。他买了好多张电影票,准备请人去看。可是,他妻子另有打算,孩子们东奔西跑,就连女管家也连连摇头说:“不去。”于是,他只好呆在家里,孤零零地愁苦不堪。这时,门铃响了,他懒洋洋地起身去开门。啊,光彩照人的巴巴拉·斯坦威克正站在走廊的灯光下。当然,麦克默雷以前也曾两度为斯坦威克无与伦比的力所倾倒:一次是在《追忆前夜》(1940)中,那时,他扮演一个地方检查官,被他起诉的女扒手诱惑而误入歧途;另一次是在《双重保护》(1944)中。斯坦威克交叉着双腿,楚楚动人,诱骗麦克默雷铤而走险,成为一个谋杀犯。如果一个思考力正常的人会被一个荡妇迷惑的话,
Everyone has experienced some sympathetic night, like Fred McMurray at the beginning of the movie Forever Tomorrow. He bought a lot of movie tickets, ready to invite people to see. However, his wife had another intention, the children running around, and even the housekeeper shook her head again and again: “No.” So he had to stay home, alone unhappy. At this moment, the doorbell rang and he lazily stood up to open the door. Ah, the brilliant Barbara Stanwick is standing under the hallway lights. Of course, Macmillan was once again twice as flippant as Stanwick’s unparalleled power: once in “Remembrance Eve” (1940), when he acted as a district inspector lured by the women pickpockets he sued Go astray; and the other in “double protection” (1944). Stanwick crossed his legs, lovely, lure McMurray desperation, to become a murderer. If a normal thinking person would be confused by a slut,