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麦积山石窟优越的地理位置,决定了其在佛教文化传播中的重要作用。本文通过对北魏、西魏、北周、隋和宋等不同时代麦积山石窟现存力士造像艺术特征的分析比较,将其归纳为初创期、演变期、成熟期三个阶段。并说明麦积山石窟力士造像艺术从北魏晚期吸收了当时的政治文化中心洛阳地区龙门石窟及其周边寺院力士样式的基础上,通过兼容并蓄的发展,最终形成了自身的艺术特色。
Maijishan Grottoes superior geographical location, determines its important role in the spread of Buddhist culture. This article analyzes and compares the artistic characteristics of the existing Luxers statues of the Maijishan Grottoes in different periods such as Northern Wei Dynasty, Western Wei Dynasty, Northern Zhou Dynasty, Sui and Song Dynasties, and summarizes them into three stages: initial stage, evolution stage and mature stage. It also shows that the art of Luxilike in Maijishan Caves absorbs the Longmen Grottoes in the Luoyang area at the time of the Northern Wei Dynasty and its surrounding Temples Luxor style. Based on its inclusive development, it finally formed its own artistic features.