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中国瓷器作为国际贸易品,自古有之。到郑和下西洋,精美绝伦的中国瓷器的国际认同度更是达到了前所未有的高度。从上世纪90年代,中国的艺术品市场婴儿初啼,到2006年,十几年时间的摸索成就了其全面与国际的接轨,其中首当其冲的当数瓷器。从十万、百万、千万……到“鬼谷下山青花罐”在伦敦以近2.3亿元成交,以数字丈量的中国瓷器市场化之路,是否真如有人所说的已显疲态?若果真如此,那么强心剂在哪? 2005年,叶英挺的一次发现,证实了明代处州龙泉窑的官窑身份,蛰伏多年的龙泉青瓷再次吸引了世人的目光,一段淹没的历史重新展现在人们眼前,整个瓷器市场也为之一振。由此,我们似乎重新隐约看到几百年前郑和时代龙泉青瓷的耀眼光辉……
Chinese porcelain, as an international trade product, has been used in ancient times. To Zheng He and the West, the exquisite Chinese porcelain international recognition is even more unprecedented. From the beginning of the 90s of last century, the baby art market in China first burst into tears. In 2006, more than ten years of exploration made its full integration with the world, of which the number one subject of porcelain. From hundreds of thousands, millions, tens of millions ... to “Guigu down the mountain blue and white pots” in London to nearly 230 million yuan turnover, the figures measured by the Chinese porcelain market-oriented road, if it has really been said to have been weak ? If so, then where is the tonic? In 2005, Ye Ying Ting’s discovery, confirmed the Ming Dynasty Longquan kiln kiln identity, dormant Longquan celadon once again attracted the attention of the world, a period of submergence of history to show again in people At the moment, the entire porcelain market also inspire. As a result, we seem to re-vaguely see hundreds of years ago Zheng He era Longquan celadon dazzling ... ...