论文部分内容阅读
一我们的杂文,它的基调是歌颂,还是暴露呢?这个问题,其实是早已解决了的。毛主席“在延安文艺座谈会上的讲话”中说: “从来的文艺作品都是写光明和黑暗并重,一半对一半。”这里包含着许多糊塗观念。文艺作品并不是从来都这样。许多小资产阶级作家并没有找到过光明,他们的作品就只是暴露黑暗,被称为“暴露文学”,还有简直是专门宣传悲观厌世的。相反地,苏联在社会主义建设时期的文学就是以写光明为主。他们也写工作中的缺点,也写反面的人物,但是这种描写只能成为整个光明的陪衬,并不是所谓“一半对一半”.反动时期的资产阶级
One of our essays, its tone is praised or exposed? This question is actually already solved. Chairman Mao’s “Speech at Yan’an Forum on Literature and Art” said: “Literary and artistic works are always written light and dark, half and half.” There are many confused concepts here. Literary and artistic works are not always like this. Many petty-bourgeois writers have not found the light, their work is only exposed darkness, known as “exposure literature”, there is simply devoted pessimistic news. On the contrary, the literature of the Soviet Union in the period of socialist construction was based on writing light. They also wrote shortcomings in their work and wrote negative men, but this description can only serve as a foil to the entire light, not the so-called “half to half” reactionary bourgeoisie