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本文是笔者研究性文章中的特例,拒绝使用理论,凭心灵自由地靠近文字。2014年诺贝尔文学奖得主帕特里克·莫迪亚诺,他早就有资格获得这样的奖项。如果熟悉高行健的获奖作品《灵山》和《一个人的圣经》,会发现莫迪亚诺对高行健的影响很大。但笔者更喜欢帕特里克·莫迪亚诺简洁如诗的语言。无论是获奥斯卡电影奖的影片《拉孔布·吕西安》,还是《暗店街》、《青春咖啡屋》、《陌路人》等,皆呈现出一种特殊时期面对暴力的情感生态。比如,“吕西安”影片中当被玷污的犹太女子举起石头伫立于情人睡态前时,叙述如诗的停顿,让读者明白:暴力在情感面前其实匮乏而虚弱,任何一种暴力都不可能征服得了情感!再比如《暗店街》中一个失忆侦探在遥遥的光影或者一张陈旧的脚踏布中如何破获自己的名字身份还有依稀的爱情。纳粹时期的作品有许多情节打动读者,但莫迪亚诺的《缓刑》可谓震撼心灵:一个孩子懵懂无知的叙事,深深扎进笔者心底,使灵魂隐隐作痛。本文是对这“痛”的祭拜。
This article is a special case of the author’s research article, refusing to use theory, with the mind free to approach the text. The 2014 Nobel Prize laureate Patrick Modiano, who has long been eligible for such awards. If you are familiar with Gao Xingjian’s award-winning works Lingshan and Bible, you will find Modiano has a great influence on Gao Xingjian. But I prefer Patrick’s concise poetic language. Both Oscar-winning movie La Cambu Lucien, Dark Street, Young Cafe, and Stranger have all shown a kind of sentimental ecology in a special period of time. For example, when the stained Jewish woman lifts his stone standing in front of his lover’s sleepy bed in “Lucien” video, he pauses in narrative poem so that the reader understands that violence is actually scarce and weak in the face of emotion and that any kind of violence Can not conquer emotions! Another example, “Dark Street” in a memory detective in the distant light or an old foot cloth how to break the name of his identity and faint love. Nazi period works have many episodes impress readers, but Modiano’s “probation” can be described as shocking soul: a child ignorant of the narrative, deeply rooted in the author’s heart, so that the soul of a mess. This article is about this “painful” worship.