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我在中央美术学院的民间美术系有过两年时间的学习,那个时候就有了一些怎么样把民间的东西用到创作里面来的一些欲望和经验,尤其是一些很厉害的老师给我们传递的这块的经验。比如说,杨先让先生,靳之林先生,吕胜中先生,他们都以不同的传统含量与当代含量,从不同的角度来吸收民族、民间的艺术精华。比如说,吕胜中先生更多的是把一些民间的符号拿来转化为当代艺术的哲学表达,他的哲学也继承了传统民间的一些理念,但是他的视觉形式就是非常的“当代”的;靳之林先生更加表现在理论方面的一
I studied at the Central Academy of Fine Arts in the department of folk art for over two years. At that time, I had some desire and experience of how to use folk materials in creation, especially some very powerful teachers who passed us This piece of experience. For example, Mr. Yang Xianjian, Mr. Jin Zhilin and Mr. Lv Shengzhong all absorbed the artistic essence of the nation and the people from different perspectives with different traditional contents and contemporary contents. For example, Mr. Lv Shengzhong is more about transforming some folk symbols into the philosophical expression of contemporary art. His philosophy inherits some traditional folk beliefs, but his visual form is very “contemporary.” ; Mr. Jin Zhilin more performance in theory one