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何多苓的作品“素”就素个彻底,将人类用来为遮挡从伊甸园经验获得的羞耻感之赘物——褪下,素面朝天的大小伊人们干干净净地出没于画幅空间,并在似经意似不经意的局部细节提示中,让你正视生命的原生状态,和这种状态中未见功利能指的情色单纯。由于世间邪恶存在,世俗阴暗存在,人们对人体的阅读和消费过多停留在生理与性乱层面,这种在道德与内省选项的自控能力的下降,似乎成了人类进化里程中必然付出的代价。艺术家不同于政治家的空洞、社会学家的浮躁、道学家的虚伪,他们
He Duoling’s work “Su” is a thorough, human use to cover up from the Eden’s experience gained shamelessness of the superfluous - faded, decent size Iraqi people cleanly haunted in the frame space , And let you look squarely at the original state of life and the erotic simplicity in which no utilitarian signifier can be found in this state of mind in the partial detail reminder that you are interested in. Owing to the existence of evil in the world and secular darkness, people’s reading and spending on the human body mostly stays at the level of physical and sexual disorder. This decline in the self-control ability of moral and introspective options seems to be inevitable in the course of human evolution cost. Artists are different from politicians’ emptiness, impetuous sociologists, hypocritical Taoists, and they