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去冬回国,中央戏剧学院曹其敬教授推荐我看陈薪伊导的《西夏王》.一场京剧,讲的是近千年前,古玉门关下一群党项人的故事,居然有如此回肠荡气的力量,确是我始所未料的.在外头听了许多关于京戏消亡的危言,回来看了此戏很有些感动.不仅是因为戏好,更是因为在此中看到一点复兴京剧的希望.京剧的复兴在改革,而改革的成功与否在选择.换句话说就是自己先得清楚地知道哪些需保留、哪些要发挥、哪些应该扬弃、
Go winter to return to China, Professor Cao Qijing Central Academy of Drama recommended me to see Chen Xinyi guide “Xixia Wang.” A Beijing Opera, about a thousand years ago, the ancient jade door under a group of party members of the story, there is such a backdating soul power indeed is indeed me Unforeseen unexpectedly heard many of the dangers of the disappearance of Beijing Opera, came back and saw the show a bit touched, not only because of play, but also because of this to see a little hope of revival of Beijing Opera. The revival of Beijing Opera Reform, and the success of the reform in the choice.In other words, they must first clearly know what needs to be retained, which should be played, which should be abandoned,