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在二十几年的艺术创作实践中,我深感自己受益于早年持续而不间断的临摹之功。正如俨少翁所言:“画读得多了,胸中有数十幅好画,默记下来,眼睛一闭,如在目前,时时存想,加以训练,不愁没有传统。”对我而言,没有俨少翁的好记性,可以读画而过目不忘。我的方法是见到名作,尽量多读、多临、多思,无论构图、气脉还是山、石、树、溪的笔法墨法几熟稔于心,养在其中,其意自得。有朋友说我临研画太苦,但
In twenty years of artistic practice, I deeply feel that I have benefited from the continuous and uninterrupted copying of my early works. As Yan Shao Weng said: “To read more, there are dozens of good paintings in the chest, silently down, eyes closed, as at present, always imagined, to be trained, no worries no tradition. ” In terms of words, there is no Yan-Weng good memory, you can read and write never forget. My method is to see masterpieces, try to read more, Pro, thoughtful, regardless of composition, qi pulse or mountain, stone, tree, river strokes Mo ink method familiar with the heart, in which, its meaning of self-satisfied. A friend said I’m studying painting too hard, but