贝多芬《悲怆奏鸣曲第三乐章》作品鉴赏

• 作 者: 王小杭
• 机 构: 延边大学,
• 出 处: 通俗歌曲
• 发表日期: 2016年08期
• 关键词: 悲怆奏鸣曲 钢琴奏鸣曲 演奏风格 创作风格 呈示部 三连音 颗粒感 革命时代 奏法 手型

在贝多芬的钢琴奏鸣曲中,《悲怆奏鸣曲》的标题是第一首由贝多芬本人亲自写上的奏鸣曲,在贝多芬的创作演变中是一个重要阶段这种情结贯穿了他的一生,奠基着他崇高的目标,造就了他音乐的永恒与不朽,铺就了他不平凡的人生。本文由“回旋式”的曲式分析、“回旋式”的创作风格和“回旋式”的演奏风格三个方面展开对《悲怆奏鸣曲第三乐章》进行作品鉴赏。

In Beethoven’s Piano Sonata, the title of Bento Sonata is the first sonata written by Beethoven himself, an important stage in the evolution of Beethoven’s creation. This complex has been through his life, His lofty goal, created his eternal music and immortality, laid his extraordinary life. This article begins with the appreciation of the third movement of Sonata of Benevolent Sorcery from three aspects: the analysis of the form of “convolution”, the style of creation of “convolution” and the style of “convolution”.