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汪玉砚的画,最珍贵的,是在视界之内,有童真,在视界以外,又有世界。童年的视角其实是十分奇异的,未经规范,因而才显得稚拙。就好象最令成人所于心不忍,莫过于那些病孩不能运动、却不感到哀伤、天天吃药、也并不感觉异常。在他们的心里,觉得人生大概就是这样的,每个人都是一样。他们不知觉,是因为不知道。但往往,大人们知道真相。画中最常出现的莲花,或意喻流转的生命载体。莲花败去,莲蓬生长,莲蓬枯萎,莲子
Wang Yuyan painting, the most precious, is within the horizon, innocence, beyond the horizon, but also the world. Childhood perspective is actually very strange, not standardized, so it seems naive. It seems as if the most adults can not endure, than those sick children can not exercise, but do not feel sad, take medicine every day, do not feel abnormal. In their hearts, think life is probably like this, everyone is the same. They do not know because they do not know. But often, adults know the truth. The lotus, which appears most often in paintings, or the bearer of life as a means of circulation. Lotus lost, lotus growth, lotus withered, lotus seeds