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笔墨书贵瘦硬通神,画亦当如是,故六法中有“骨法用笔”一条。骨不坚硬,虽用墨多端,未有不浮靡、臃肿、甜俗者。—1970年3月笔墨要能离,离则放得开,拓得远、大。倘笔与笔接,墨与墨接,虽缜密工整,难免板实之病,所谓画煞是也。—1970年3月用笔有力,不见其力;用墨甚湿,不见其湿,是谓之含蓄,方无弩张肥俗之病。—1972年
Pen and ink expensive thin and hard Tongshen, painting is also true, so six of the “bone method pen” one. Bone is not hard, although with more ink, not underexpanded, bloated, sweet vulgar. - March 1970 ink to be able to leave, then put away to open up far, big. If the pen and pen then, ink and ink access, although careful and neat, inevitably the reality of the disease, the so-called painting evil is also. - In March 1970 with a pen strong, blindly; with ink is very wet, not seen its wet, is subtle, without crossbow fat man’s disease. - 1972