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正如威廉·H.爱波斯坦、丹尼斯·宾汉和其他诸多传记影片理论家、批评家所认为的,这些生活叙事时常用来强化主流意识形态,其主要特质会导致对异议的有意识的同化或消除。在此,我将探讨一些电视系列纪录片制作过程中的隐含理论,这些纪录片讲述了一些在历史上功绩卓著的人,他们或是在面对经济社会殖民主义时,极力捍卫本土历史、艺术和文化,抑或是保护或扩大移民工人和激进政客的权力。我将阐述为了“客观地”再现生活中的矛盾冲突、描述社会力量间的争斗,纪录片如何选择细节,如何形成其记录性叙述,而纪录片的制作者无法做到一视同仁或中立。在过去的十五年间,我参与制作了这部电视系列纪录片《夏威夷传记》,我将从中选取一些作为例子。
As William H. Epstein, Dennis Bingham, and many other biographical film theorists and critics have argued, these narratives of life are often used to reinforce the mainstream ideology, whose main trait can lead to the conscious assimilation of objections or eliminate. Here, I will explore some of the implicit theories in the production of television series documentaries about some of the most distinguished people in the history who, either in the face of economic social colonialism, strongly defend the history of the arts, the arts and Culture, or the protection or expansion of migrant workers and radical politicians. I will explain how to reconcile contradictions in life objectively to describe the conflicts among social forces, how to select the details of the documentary and how to form its record narrative, while the producers of the documentary can not be treated equally or neutrally. For the past fifteen years, I’ve been involved in the production of the television series Documentary “Hawaii Biographies,” from which I will take a few examples.