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在欧洲美术史上,19世纪的印象派以创新的姿态登上法国画坛,其锋芒针对陈陈相因的古典画派和矫揉造作的浪漫主义。印象派画家大胆抛弃了长久受到公认的创作观念和程式,摆脱了对历史、神话、宗教等题材的依赖,吸收了现实主义绘画的营养,摒弃16世纪以来狭隘的褐色调,在绘画中开始对室外自然光的研究和表现。根据“物体的色彩
In the history of European art, 19th-century Impressionists embarked on an innovative attitude to the French art scene with a focus on the classical painters of Chen Xiang-cain and the artificial romanticism. Impressionist painters boldly abandoned long-established and accepted concepts and programs of creation, getting rid of the dependence on historical, mythological and religious subjects, absorbing the nutrition of realist painting, abandoning the narrow brown tone of the 16th century, and beginning to work outdoors in the painting Research and performance of natural light. According to ”color of the object