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在最新个展中,艺术家曾宏以20儿年创作的双联画《公共洗衣房No.1》为底本,绘画了一系列新作。那幅底本描绘了中国老工业区常见的建筑墙面,其上镂空的窗口有序地排列成具有透视感的梯形。曾宏保留了梯形的轮廓,缩小其内部窗格的比例,抹去窗格花纹的纵深感,让它们像马赛克般更密集地排列,并通过色彩和笔触的几次变奏,挖掘这一图样的潜能。对色彩的把握是艺术家在近作中呈现的重点之一。在《三块白色》中,曾宏展现了不同纯度和厚度的白色之间的丰富差异。他先用马克笔打出
At the latest solo exhibition, artist Zeng Hong has painted a series of new works based on the double-series “Public Laundry No.1” created in 20 years. The bottom of the picture depicts the common building walls in the old industrial area of China. The hollowed-out windows are orderly arranged in a trapezoid with perspective. Zeng macro retained the outline of the trapezoid, reduced the proportion of its internal panes, erased the sense of depth of the checkered patterns, arranged them more densely like a mosaic, and excavated this pattern through several variations of colors and strokes Potential. Grasping the color is one of the focuses that the artist presents in recent works. In the “Three White”, Zeng macro shows the richness of the difference between the different purity and thickness of the white. He first hit the mark pen