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《乐记》是我国第一部自成体系的音乐理论专著,包含了丰富的文化理念,在中国古典美学思想史上占有非常重要的地位。其系统、丰富的音乐美学思想对后世产生了巨大而深远的影响。有关《乐记》的成书历来有三种说法:一说为战国时期孔子的再传弟子公孙尼子所作;一说是汉武帝时河间献王刘德召集毛生等儒士杂采《周礼》及先秦诸子论乐文字编撰而成;一说为汉代刘向、刘歆父子校定先秦古籍时所得。
“Music Notes” is the first self-contained system of music theory monograph in our country. It contains a wealth of cultural ideas and occupies a very important position in the history of Chinese classical aesthetics. Its system, rich musical aesthetics thought has a huge and far-reaching impact on future generations. There are three versions of the book about “Music Note”: one is the re-disciple of Kung Son during the Warring States period, made by Kung-sun Nizi; The phonetic transcription of the phonetic transcription of the philosophers; one for the Han Dynasty Liu Xiang, Liu Xin father and son when the Qin and Qin dynasties income.