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明清是中国古代社会历史发展的尾声,两朝相替,满汉交接,但在文化思想领域保持了整体的一致性和继承关系。满清统治者以灭李自成而非灭朱明得天下自居,对明朝事物并不一味排斥,对汉人、汉文化大力学习和使用,这一点与蒙元统治不同。中国历史上的传统雕塑艺术在明清时步入十分衰落的时代,如陵墓雕塑、宗教雕塑,在艺术整体世俗化发展的大趋势下,它们虽具外在的精雕细刻,但是渐渐失去了内在的生机气
The Ming and the Qing Dynasties are the end of the development of ancient Chinese society and history. The two countries replaced each other and the Manchus and Han handed over, but maintained the overall consistency and inheritance relations in the field of cultural thought. The Manchu rulers to eliminate Li Zicheng rather than destroy Zhu Ming have their own place, not blindly exclusion of things in the Ming Dynasty, the Han Chinese culture to study and use, which is different from the Mongol rule. In the Ming and Qing dynasties, the traditional art of sculpture went into a period of decline, such as mausoleum sculpture and religious sculpture. Although they were exquisitely carved out of the overall secularization of the arts, they gradually lost their value The inner vitality