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塑造讽刺喜剧中的正面人物是一个难题,《可口可笑》的作者王景愚在这方面作了有益的尝试。平心而论,《可》剧中的梁小军比《枫叶红了的时候》一剧中的正面人物确实更富于喜剧色彩,但我认为,这个人物还没能完全达到预期的理想效果。作者为梁小军安排了“钻筐”的情节,这并非硬摆噱头,而是从人物憨厚性格中生发出来的戏剧行动。舞台演出效果证明这一笔妙趣传神。作者亲自扮演、那出色的演技更使观众折服。但钻筐并没有使梁小军充分地卷入戏剧冲突,甚至使他无法积极地推动事件的进展,从这个意义上说,梁小军没有成为《可》剧的主角。人物的主人公地位取决于卷入戏剧冲突的
It is a difficult problem to shape the positive characters in the satirical comedy. Wang Jingyu, author of “ridiculous”, made a useful attempt in this respect. In all fairness, Liang Xiaojun in The Playable is indeed more comic than the positive figure in the time when Maple was red, but I think this character has not yet fully achieved the desired effect. The author arranges for Liang Xiaowun “drill baskets” plot, this is not a hard gimmick, but from the characters simple and honest character in germinal drama action. The stage performance proved this fun and vivid. The author played in person, that outstanding acting more impressed the audience. However, Liang Xiaojun did not make Liang Xiaojun fully involved in the drama conflict, even made him unable to actively promote the progress of the incident. In this sense, Liang Xiaojun did not become the protagonist of the “Ke” drama. The protagonist’s character depends on getting involved in drama