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近年来,民族音乐的教学日渐受到广泛关注。民乐似乎不再是正襟危坐的“老物件”,经过几代民乐人的不断探索与创新,将“民乐”从人们逐渐淡出的角落中,又拉回到当今乐坛的核心。可以说,民乐在群众中能有这样的基础和那些为民乐事业辛勤工作的有识之士有着密不可分的关系。寻访附中系列,这一站走到了素有中国民乐摇篮的中国音乐学院附中。上期,本刊已经介绍了中国音乐学院附中的赵戈老师、张健老师、林富贵老师,但是中国音乐学院的优秀老师们又何止这些呢?本期记者继续上期的报道,对中国音乐学院附中的老师们“采访到底”。
In recent years, the teaching of folk music has received more and more attention. It seems that folk music is no longer the “old object” that is sitting on its heels. After several generations of folk musicians’ continuous exploration and innovation, folk music has been pulled back to the core of today’s music scene from the corner where people gradually fade away. It can be said that folk music can have such a foundation among the masses and those who are knowledgeable people who work hard for the cause of folk music are inextricably linked. Looking for middle school series, this station came to the middle of China Conservatory of Music, known as the cradle of Chinese folk music. In the last issue, we have introduced Zhao Ge, Zhang Jian and Lin Fugui from the attached middle school of China Conservatory of Music. However, what are the outstanding teachers from China Conservatory of Music? Teachers “interview in the end.”