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戏曲建立导演制的理论吁求和实践操作可以推溯到20世纪上半叶,并贯穿于整个20世纪。欧阳予倩等戏曲改革者呼吁引入导演制的原因主要体现在几个方面:对戏剧是“综合”艺术的认识;对戏曲“艺术”性的认识;对戏曲表达思想、改良人生的现实功能的认识以及20世纪中国启蒙与救亡的历史文化语境。
The theoretical appeal and practice of establishing the director system of opera can be traced back to the first half of the 20th century and throughout the 20th century. Ouyang Yuqian and other drama reformers called for the introduction of the director system for several reasons: the theater is the “integrated” art awareness; the opera “artistic” sexuality; the drama expresses ideas and improves life And the historical and cultural context of China’s enlightenment and salvation in the 20th century.