论文部分内容阅读
“昆曲的音乐太美了,我听着那音乐,然后告诉自己:噢,这就是中国的音乐。”3月25日,日本歌舞伎大师坂东玉三郎与苏州昆剧院联袂演出的《牡丹亭·杨贵妃》在日本京都南座结束了连续20天的演出,最后一场结束时,在观众长达15分钟的热烈掌声中,幕布先后5次放下又被拉起,演员5次谢幕之后,帷幕方才落下。在同一个剧场,同样的剧目,20场公演,容纳1086人的南座场场爆满,即使在中国,也是中国昆剧多年来没有遇到过的盛况。
“Kunqu music is so beautiful, I listen to the music, and then tell myself: Oh, this is the Chinese music. ” March 25, Japanese kabuki master Bando Yusaburo and Suzhou Kun Opera Theater jointly performed “Peony Pavilion Yang Concubine ”in Kyoto, Japan, South Block ended 20 consecutive days of performances, the final end of the audience up to 15 minutes of warm applause, the curtain has been put down five times and was pulled up, the actor after five curtain call, Curtain just fall. In the same theater, the same repertoire, 20 performances, containing 1,066 people South Stadium full, even in China, but also for many years China Kunqu Opera has not encountered the grand occasion.