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既要做传统的维护者,又要做艺术的创造者“是林邦德对当代艺术家的定义,也是这件带有”港城“文化气息的水墨作品创作的初衷。著名艺术批评家、清华大学美术学院教授、博士研究生导师岛子对林邦德三件作品有如是评价:”林邦德的带有观念艺术形式的书写性作品《轮船码头》系列,打破了“水墨唯画种论”的思维惯性,将水墨仅仅作为艺术表现的媒材引申到装置领域中,这就意味着一种化茧为蝶的生命更新方式,合乎创作的规律与逻辑,突显了实验水墨在后现代所具有的前卫性形象。尽管作品的基本元素属古典的草书线条和韵律,但它的形式语言展
It is not only Lin Bude’s definition of contemporary artists but also the original intention of this ink painting with “Hong Kong City” cultural atmosphere, both as a traditional defender and as a creator of the arts. Famous art critics, Tsinghua University Academy of Fine Arts professor and doctoral tutor Island on the three pieces of Lin Bond’s work is as follows: “Lin Bond’s writing works with a concept of art” boat dock "series, breaking the Of the inertia of thinking, the ink as an artistic expression of the media extended to the field of equipment, which means a change of life as a butterfly cocoon way, in line with the creative laws and logic, highlighting the experimental ink in the post-modern have Avant-garde image. Although the basic elements of the work are classical cursive lines and rhyme, but its formal language exhibition