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隐喻最初属于语言学的范畴,是语言学修辞的一种手法。动画是艺术家创造出来的视觉形象,即创作过程是一个设计、想象的过程,包括对形象、动作、表情、环境、声音等设计、想象的过程。在这个过程中,隐喻发挥了很大的作用,是经常会被用到的一种表象手段。隐喻是动画创作中很重要的表现手段之一。目前在动画领域,人们对隐喻的认识还存在着一定的局限性,仅仅局限于对隐喻进行描述性的分析。因此,文章将以此为出发点,对隐喻在动画创作中的运用进行探讨,充分结合动画的创作特点,通过大量的实例分析,分别从动画的人物造型、道具、故事情节、画面色彩等几个方面来分析,进一步深入探讨隐喻作为视觉手段在动画创作过程中的应用。
Metaphor initially belongs to the category of linguistics, linguistic rhetoric is a technique. Animation is a visual image created by the artist. The creation process is a process of design and imagination, including the process of designing and imagining the image, movement, expression, environment and sound. In this process, metaphor played a great role, is often used as a means of representation. Metaphor is one of the most important means of expression in animation creation. At present, there are still some limitations in understanding the metaphor in the field of animation, which is limited to the descriptive analysis of metaphor. Therefore, the article will take this as a starting point to explore the application of metaphor in animation creation. Based on the creative features of animation, through a large number of case studies, this article will analyze the metaphors from the perspective of animation characters, props, storyline, Aspects to analyze and further explore the application of metaphor as a visual means in the animation creation process.