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借一句俗语“雁过留声”为题,是想记述一下方荣翔先生六、七月份在香港演出后,留给港、澳、台湾和海外观众的印象。虽借题,而不发挥,源源本本记几件事,而且是表演艺术以外的事儿。这次演出活动,包括了山东京剧团、北京战友京剧团、上海昆剧团以及中国京剧院、北京京剧院、中国戏曲学院共140人的强大阵容。由6月10日在香港利舞台开锣,后移师演艺学院歌剧院,原定7月1日结束,后来又加演了5场,至7月6日。一个京剧团在香港一口气演出30场,是近二十年来所罕见的。除
I would like to recall the impression made by Mr Fang Rongxiang on his performances in Hong Kong in June and July after leaving Hong Kong, Macao, Taiwan and overseas audiences. Although the problem, rather than play, a few books from the source, but also something other than performing arts. The performance included a strong line-up of a total of 140 people from the Beijing Peking Opera Troupe, the Beijing Comrades Beijing Opera Troupe, the Shanghai Kunqu Opera Troupe and the Peking Opera, Beijing Peking Opera, and China Opera Academy. From June 10 in Hong Kong, the stage kicked off, and later moved to the Opera House Opera House, originally scheduled for July 1 end, then added another 5 games until July 6. A Peking Opera troupe performed 30 performances in Hong Kong at a stretch, which is rare in the last two decades. except