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每一位作曲家都不可能脱离民族文化的胎记。陈牧声,作为中国当代青年作曲家,他始终徜徉在自己民族传统文化中,尤其表现出对昆曲艺术的挚爱。自2007年,他的管弦乐曲《牡丹园之梦》《西湖交响曲》(2010年)、《交响牡丹亭·天》(2013年)等均以此为素材,且音乐语言个性突出、风格鲜明,值得关注。诚然,此前也有此类具一定影响的成功作品,但作曲家各自不同的审美追求和创作理念造就了截然不同艺术风格。纵观陈牧声近年来的创作,本文试从以下三个方面来阐述作曲家的创作观念与技法特征。
Every composer can not escape the birthmark of national culture. As a contemporary young composer in China, Chen Mu-sheng always shows his love of Kunqu Opera in his own national traditional culture. Since 2007, his orchestral music “Peony Garden’s Dream” “West Lake Symphony” (2010), “Symphony Peony Pavilion · days” (2013) and so are used as a material, and the music language personality prominent, distinctive style , It is worth attention. Admittedly, there have been such successful works of a certain influence before, but the different aesthetic pursuits and creative ideas of the composers have created different artistic styles. Throughout the past few years, Chen Mu Sheng’s creation, this article attempts to explain the composer’s concept of creation and technical characteristics from the following three aspects.