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为纪念老舍先生逝世二十周年而拍摄的《月牙儿》公映后颇获好评。当年我们阅读老舍这篇自叙式的抒情小说时,曾为母女两代重蹈同一命运的散文诗样的描写所打动,如今电影以特有的表现手法传达了原作,形象更为鲜明。 老舍原作的特色是主人公内心世界的细腻抒发与披露,具有一种诗意美。影片把矛盾冲突的场景逼真地展示在观众眼前,以小说中许多深挚的自白作为贯串,使诗意的旁白成为一种精神的独立体,并与银幕画面的生活场景交流、对应揭示韩月容内心活动的艺术升华与实质性的冲突映现同步并进,这是忠实于原作的
After the release of “Crescent Moon” to commemorate the twentieth anniversary of the death of Mr. Lao She was well received. When we read Lao She’s self-narrative lyrical novel that year, he was impressed by the prose poetry depicting the same destiny of both mother and daughter. Today the film conveys the original with unique expressions and the image is more vivid. Lao She’s original feature is the delicate inner world hero’s expression and disclosure, with a poetic beauty. The film vividly presents the contradictory scenes in the eyes of the audience, with many deep confessions in the novel as the continuation, so that the poetic narration becomes a kind of spiritual independent body and communicates with the life scene of the screen picture, revealing the inner activities of Han Yuesong Sublimation of art and substantive conflict reflect the simultaneous progress, which is faithful to the original