论文部分内容阅读
去年底,“中国书法”被联合国列入“人类非物质文化遗产”名录;今年初,中国书法界又迎来了一大盛事——中国美术馆成功举办了“情境书法展”。红红火火的情境书法展,为红红火火的新春佳节,提供了一桌风味独特的精神大餐。“书法因情境而生命长久,情境因书法而内涵深厚”。说到展览的成功,我们不能不佩服范迪安、杨炳延、王家新三位先生匠心独具的全新创意:回溯既往书法的文化生态,实现“情境”与“书法”的学术链接,构筑当下“情境书法”的恢宏大观。在
At the end of last year, “Chinese calligraphy” was listed by the United Nations in the directory of “Intangible Cultural Heritage of Humanity.” Earlier this year, Chinese calligraphy industry ushered in another major event - the National Art Museum of China successfully held the “Situational Calligraphy Exhibition ”. The booming situation calligraphy exhibition, for the booming Spring Festival, provides a table a unique spirit of the feast. “Calligraphy because of the situation and life long, the situation because of calligraphy and profound”. Speaking of the success of the exhibition, we can not but admire the new ideas of the three gentlemen, namely, Fan Di’an, Yang Bingyan and Wang Jiaxin: backtracking the cultural ecology of past calligraphy, establishing academic links between “situational” and “calligraphy” The moment “situation calligraphy ” magnificent grand. in