论文部分内容阅读
中国话剧虽然年轻,但也有过不平常的经历。三十年代,一场《雷雨》震惊大上海,以至茅盾用“当年海上惊雷雨”的诗句来赞颂它的成功。四十年代,一出《屈原》使整个山城为之轰动,无数的青年热烈地推崇并狂热地喜爱。五十年代,一条《龙须沟》勾起了多少北京人悲喜交织的眼泪,一个《茶馆》不仅使国人赞赏,也使外国人惊奇,他们这才知道中国“有这样高水平的话剧。”赞誉它是“东方来的奇迹”。历史进入了改革开放的新时期,话剧理应创造出
Although Chinese drama is young, it also has unusual experiences. In the 1930s, a “thunderstorm” shocked Shanghai and even Mao Dun praised it for its success with the poem “Thunderstorm at Sea”. In the forties, a “Qu Yuan” made the entire mountain city a sensation, and countless young people enthusiastically respected and enthusiastically loved. In the 1950s, how many beloved bereaved tears of Peking people were elicited by a “Longxu ditch”. A “teahouse” not only made people admire but also surprised foreigners. Only then did they realize that China “has such a high level of drama.” Praise it as “a miracle from the East.” History has entered a new period of reform and opening up and drama should be created