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老友王芷章先生是我平素敬重的一位老一辈戏曲史研究专家。今逢他的80万字煌煌遗著《中国京剧编年史》即将由中国戏剧出版社出版之际,他的女儿王维丽约我作序,因我和芷章先生在中国戏曲研究院曾有过切磋交往之缘,故欣然命笔,为这部巨帙的问世。 《中国京剧编年史》的内容起于清乾隆五十五年(1790年)高朗亭在北京成立三庆徽班,止于1919年“五四”运动时期的京剧改良活动(如梅兰芳等创演时装戏)。逐年记述了京剧艺术自孕育、形成、演变直至趋于鼎盛130年间的历史发展过程。它分别著录了在每一年中所发生的如
Mr. Wang Zhizhang is an old friend of mine who always respects an older generation of opera history research experts. His 80 million words today brilliant left after the “Chinese Peking Opera Chronicles” about to be published by the Chinese Theater Press, his daughter Wang Weili asked me to preface, because I and Mr. Zhizhang at the Chinese Academy of Opera Academy had an exchange of views The edge, so gladly ordered, for the advent of this huge giant. The content of “Chronicles of Peking Opera” starts in 55 years (1790) of Qing Emperor Qianlong Gaolang Pavilion set up three celebration emblem classes in Beijing, ending with the Peking opera reform activities during the May Fourth Movement of 1919 Act fashion show). Year after year described the art of Peking Opera conceived, formed, evolved until its peak 130 years of historical development process. It separately records what happened in each year