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编者按:本刊从2016年第4期开始,设立了“中华美学精神”专栏。这个专栏的目的,是为了传承和弘扬中国传统文化,从历史遗产中汲取营养,为当代文学理论建设和文学批评的发展服务。专栏设立后,在学界反响热烈,许多在这方面有着深入研究的专家学者纷纷来稿,要将这方面的研究继续深入下去。由于篇幅所限,在本期杂志上,我们选登了两篇较为宏观的、从源头上考察中
Editor’s Note: This publication from the 4th period in 2016, set up a “Chinese aesthetic spirit” column. The purpose of this column is to carry forward and carry forward Chinese traditional culture, learn from historical heritage, and serve the development of contemporary literary theory and literary criticism. After the establishment of the column, there has been a lot of enthusiastic responses in the academic field. Many experts and scholars who have conducted in-depth studies in this field have all contributed papers and the research in this field should be continued. Due to space constraints, in this issue of the magazine, we selected two more macroscopic sources from the investigation