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在中国传统绘画中,逸笔画自明清后被写意画所取代,而渐被人们所淡忘,其实逸笔画是中国画发展到一定阶段的产物,它的渊源可以追溯到中国画自觉时期的南北朝。逸笔画自宋后以它独特的表现形式和审美品格彪炳史册。本文通过对逸笔人物画的嬗变、逸是物态与精神的合一、逸笔人物画的表现形态、多元开放的现代逸笔人物画格局的探析,使我们对逸笔人物画的形成、艺术指向及艺术门类有个宏观认识。
In traditional Chinese painting, the Yi stroke was replaced by the freehand brushwork after the Ming and Qing dynasties, but gradually forgotten by people. In fact, the sketch of the brush stroke is the product of the development of Chinese painting to a certain stage. Its origins can be traced back to the Southern and Northern Dynasties during the conscious period of Chinese painting. Yi strokes since the Song Dynasty with its unique form of expression and aesthetic character of history. Through the transmutation of the E-pen’s figure painting, Yat is the combination of the state and the spirit, the expression form of the E-pen’s portrait painting and the open and modern pattern of the E-pen’s figure painting. Art orientation and art categories have a macro understanding.