构思新颖 阐释明晰——评李维教授的《中国古代文学审美范畴论》

• 作 者: 王大桥
• 机 构: 南京大学,
• 出 处: 齐齐哈尔大学学报(哲学社会科学版)
• 发表日期: 2010年05期
• 关键词: 审美范畴 中国古代文学 《中国古代文学审美范畴论》

对于审美范畴的讨论,过去我们一般都局限在西方文化的范畴之内,诸如优美与崇高、丑与荒诞等等,可以说,西方文学中的范畴体系较为完备系统,因为范畴本身就是西语译词,是针对其所说明的事物或事物的某个方面。在中国文化史上,唐代司空图的《二十四诗品》着力析出了“雄浑、冲淡、

For the discussion of the aesthetic category, in the past we were generally confined to the category of Western culture, such as beauty and loftiness, ugliness and absurdity. It can be said that the category system in western literature is more systematic because the category itself is the translation of the Western languages A word is an aspect of something or thing that it describes. In the history of Chinese culture, the “Twenty-four Poems and Articles” made by Sikongtu in the Tang Dynasty focused on "vigorous,