论文部分内容阅读
历史巨片《七·七事变》(上、下集),以悲壮而磅礴的史诗式美学风格,再现了半个世纪前卢沟桥畔中国人民奋起抗击日寇那一幅血与火的历史长卷。面对银幕,人们热血沸腾,心潮澎湃,被激发出一种沉重而庄严的历史沉思。 历史是绵亘不断的,历史自身不会自发地产生诗的形式和神韵。史家追踪历史足迹而写春秋,诗人则注重透过历史足迹而揭示历史的本质及其风采,
Historical film “Seven Seventy Seven” (upper and lower set), with a tragic and majestic style of epic aesthetics, half a century ago to reproduce the Chinese people Lugouqiao rise to fight the Japanese invaders that a history of blood and fire long scroll . In the face of the screen, people are full of passion and emotion, inspired by a heavy and solemn historical meditation. History is endless, and history itself does not spontaneously generate the form and charm of poetry. Historians track the historical footprints and write the Spring and Autumn Period. The poet pays attention to revealing the essence and history of history through historical footprints,