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考古学家近日发现:杂技不仅在中国的汉族地区存在,过去在藏族地区也同样广泛流传。 在西藏西部阿里的古格王国遗址的壁画上,考古学家发现了极为精彩的古代藏民族地区杂技表演的场面。从某种程度上说,这种场面一点也不比《清明上河图》中所表现的场面逊色。 整个壁画场面分为三组,一组为爬杆,滑杆中间直立一主杆,两侧各斜撑一杆,顶端绑扎在一起,画中一人刚攀登至顶,另一人骑跨斜杆下滑,并将双手上扬保持平衡,中部一组为马技,一人倒骑马背,回首驱马急驰,另有四人骑马回首,张弓欲射;下方一
Archaeologists have recently discovered that acrobatics not only existed in the Han Chinese area of China, but also spread widely in the Tibetan areas in the past. Archaeologists have discovered extremely exciting scenes of acrobatics in ancient Tibetan areas at the murals of Gugong Kingdom sites in Ali, in western Tibet. To a certain extent, this scene is not inferior to the scenes shown in the Qingming Riverside Plan. The entire mural scene is divided into three groups, one for the climbing pole, the middle of a straight rod upright bar, on both sides of a diagonal strut, the top band together, one of the paintings just climbed to the top, the other ride across the diagonal slide , And keep both hands up to balance the middle of a group of horsemanship, one fell back horseback, looking forward driven horse galloping, and another four riding back, Zhang Gong want to shoot; the bottom of a